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In 2003, I graduated from Los Angeles County High School for the Arts where I majored in music. I play a few musical instruments but not cool ones like the guitar or piano. Think more along the lines of the oboe.

You might recognize this video from Week Six of my game-a-week project. I don't play much anymore but I pull my oboe out every now and then to make sure my chops don't completely deteriorate. During high school and college though, I played a lot. Here are some groups I played with during that time and the years I played principal:

My oboe career probably peaked in 2002 when I was in a gazillion orchestras and competing fairly regularly. That year, I won first prize at the Southern California Junior Bach Festival (competition recording):

I also won grand prize at the MTAC Mozart Festival (post-competition award ceremony recording):

I cannot overstate the lasting influence that my high school oboe teacher, Francisco Castillo, has had on my life. His lessons were structured around the Tabuteau method and its numerical phrasing system. This method reduced abstract musical expression to unambiguous technical notation that I could understand and replicate, even as an immature teenager.

Once after a concert, I was approached by a man who waited for two hours just to shake my hand, telling me that he was moved to tears by my solo in the second movement of Schubert's Unfinished Symphony. I thought this was crazy since I was just a kid following numbers on a page. Through my lessons with Francisco, I gained a profound appreciation for the depth of emotion and experience that could be encoded with numbers: a notion that has had a tremendous influence on how I design and code.

Franciscoportrait a1f421a80ea3828e75ed26528a3434ed2b98d4f3959d6efcbc51c7f82efb5d78My oboe teacher, Francisco Castillo

Francisco also stressed the importance of basic fundamentals like long tones, scales and etudes. Like a typical teenager, I disliked practicing basics and when I came to lessons unprepared, we might spend the entire hour working on scales and long tones and never get to actual pieces. Even though I came unprepared somewhat often, Francisco's perpetually cheerful demeanor never once wavered.

Today, I can pick up my oboe even after not playing for a few months and bring myself back to a reasonable level in a fairly short period of time. I'm humbled and grateful to Francisco for leading me down the fruitful path of fundamental skills mastery. It has left such an indelible impression on my life that I've made it my mission to raise the standards of math fundamentals in our education system through games that alleviate the monotony of repetitive practice drills.

Recitalprogram 795a642e6a886633c23e1d422b19fc7d8e495e409382849bc8647f37074f3094Program from my senior recital featuring my middle school band portrait.
My dad, former graphic designer at Disney Imagineering and Gensler, had an odd sense of humor.

I joined the UC Berkeley Symphony Orchestra as a college freshman under maestro David Milnes and stayed with the group for five years, which included an extra year after graduation while I was working down the street. David was also conductor of the Berkeley Contemporary Chamber Players so we played a lot of crazy music by composers like György Ligeti and Witold Lutosławski that stretched the limits of my musical comfort zone.

Claude Debussy's La Mer
(Conductor: Vladimir Ashkenazy, Cleveland Orchestra)
A beautiful impressionistic symphonic sketch with many exposed oboe solos

My craziest performance experience was with the University Symphony during a performance of Debussy's La Mer. I had just submitted a computer science project and was coming off 40 consecutive hours of coding where I hadn't slept and only eaten a bag of pretzels and five Red Bulls. A few minutes into the piece, under the hot stage lights and wearing a constricting bow tie, I was struck by a dizzy spell and my vision went black. I didn't know what to do so I leaned back in my seat, took a few deep breaths with my oboe held to my lips and tried not to faint. After a few long seconds my vision returned and the rest of the concert proceeded without incident. I don't think anyone even noticed.

Milnesquintet f99e746036f0e56dabaa7fa891c827a921c7aa4d9dba50ea2c6c90b2892f4ef3My UC Berkeley woodwind quintet in 2007
Left to right: Nick Carnes, Mike Adachi, David Milnes, Perry Roth-Johnson, me, Stacey Wallace

By the time I joined the Stanford Graduate School of Education for my Master's degree in 2009, I was ready for a musical change of pace. So instead of auditioning for the Stanford Symphony Orchestra, I tried out for the Japanese drumming ensemble, Stanford Taiko.

Stanfordtaikogroup 406894361b0c1c61a4b41e99b6805f750527232b37253a3b0c326d4ea0b365f6Stanford Taiko 2009-10

This was an amazing experience! I really enjoyed being a beginning taiko student while deeply immersed in educational theory coursework. This allowed me to metacognitively assess various learning techniques to improve as both an educator and a student simultaneously. Stanford Taiko was a very time-intensive group and between it, my graduate work, building Equatia and a part-time game design internship with PlayFirst in San Francisco, I didn't have much time for luxuries like sleep.

There are a few videos of me performing with Stanford Taiko floating around the internet but this is my favorite because Obon is the best venue for playing taiko and also because I totally nail the behind-the-back stick toss during my drum solo at 2:38 (I'm on the far right in the purple).

I played with a couple of other groups after grad school, including Jiten Daiko, a group of post-collegiate taiko players in San Francisco. It was with Jiten that I discovered my first ever internet fan in the comments of this photo from a random Flikr user.

Bradyjiten 9de2ef72d65599dd5586692f104e32d5b8345043b00f53de169154000a8d6da62011 San Francisco Ginza Bazaar

The highlight of my taiko career has to be performing with the incredible fusion drumming group, On Ensemble, which I was fortunate enough to do twice. Here's a shot of me performing i31d03d!jns+vw (yes, that's the name of the piece) with Kris Bergstrom and Masato Baba at the ShastaYama festival in 2011.

Bradyshastayama e217eb099700cc31d173a834a5424f218a57ec65adce1612164cb6f9ab4d885fShastaYama 2011 in Mt. Shasta

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